Droga5 magnifies SBS's history of risky play with campaign nudity 

Jade Psihogios
By Jade Psihogios | 15 May 2025
 

SBS is celebrating its 50th birthday with a little nudity in We Go There, a provocative campaign by creative agency Droga5. 

The film, that can only be viewed on SBS, sits within a larger campaign of billboards that leave everything to the imagination.

The campaign follows SBS’s history of taking risks, breaking boundaries and treading where others won’t.

SBS chief marketing and commercial officer Jane Palfreyman told AdNews that SBS’s brand strategy is about breaking norms.

“When you think about the stories we tell, they're often to challenge assumptions or thinking, to provoke or spark conversation and to do it with personality,” Palfreyman said.

The ‘We Go There’ video campaign features a man streaking naked across multiple locations including a sports arena, the ‘wilderness’, on a live news broadcast and more.

The campaign is directed by Damien Shatford and is available to view only on SBS on Demand. The media strategy and planning are led by Hearts and Science. 

M-rated content in Australian commercial television is not permitted before 7:30pm. But SBS is pushing the envelope with SBS on Demand.

Droga5 chief creative officer Tara Ford said she knew SBS needed to get attention in a crowded market.

“This kind of provocation is in the DNA of SBS, so really, we are doing nothing more than showing what they provide as part of their programming," Ford said.

The campaign was filmed on a closed set with only essential crew present.

An intimacy co-ordinator was on hand to support everyone involved.

There are no specific law’s mandating intimacy coordinators in Australia. But the role is becoming increasingly recognised in the media industry to ensure respect and safety in intimate scenes.

“Of course, nudity wasn’t part of the casting process, but questions were asked to make sure it wouldn’t be distracting beyond what would be expected,” Ford said.

“And I have never seen such an array of flesh coloured ‘modesty garments’ in wardrobe before.”

SBS targets 35 to 64-year-old Australians, a demographic less acknowledged in the advertising sphere. 

“It’s also a reflection of SBS’ programming: grown-up documentaries, erotic European movies and so forth,” Ford said.

“They are not chasing the youth market but are staying true to their audience.”

SBS on Demand has seen a 18% rise in viewership in the current financial year, with more than 2.24 million active accounts logging into the platform in April.

This campaign also aligns with the 2025 Eurovision finale airing this weekend on SBS on Demand.

SBS reported a national TV reach of more than 2.2 million people for Eurovision 2024, with 150,000 watching exclusively on SBS on Demand, according to SBS.

“Australia really gets behind Eurovision and celebrates it, and it has an incredibly loyal following that loves to host Eurovision parties and share on socials,” Palfreyman said.

“It’s a piece of content that always does very well for us, and a wonderful celebration of culture and music coming together.”

Palfreyman said the SBS brand strategy is to redefine entertainment and maintain the legacy.

“We also know many Australians affectionately, if not jokingly, think SBS stands for Sex Before Soccer... and we’re okay with that,” Palfreyman said.

“This campaign acknowledges that legacy, as well as the place of trust that SBS has built in the minds of millions of Australians.”

To view the 'We Go There' 60 second film on SBS On Demand, click here. Viewer discretion advised.

Campaign Credits

Client: SBS

Chief Marketing and Commercial Officer: Jane Palfreyman

Head of Creative: Joel Noble

Head of Marketing and Media: Uma Oldham

Project Lead: Becky Honey

Marketing Manager: Lauren Phelan

Creative Manager: Peter Jeffs

Producer: Amanda Galkin

Agency: Droga5

Chief Executive Officer ANZ: Matt Michael

Chief Creative Officer APAC: Tara Ford

Chief Client Officer: Belinda Drew

Executive Creative Director: Barbara Humphries

Creative Director: Sam Dickson

Creative Director: Cameron Bell

Associate Creative Director: Lennie Galloway

Associate Creative Director: Thomas Gledhill

Head of Strategy: Ben De Castella

Senior Producer: Elliot Liebermann

Senior Business Director: Samar Karim

Production Company: The Sweetshop

Director: Damien Shatford

Producer: Allison Lockwood

Co-Managing Director: Edward Pontifex

Co-Managing Director: Greg Fyson

Executive Producer: Kate Roydhouse

DOP: Ross Giardina

Art Director: Mile Pitt

Casting: Danny Long

Casting Stills Photographer: Michael Malherbe

Editorial: ARC @arc_site

Executive Producer – Daniel Bradford Fry

Producer – Sally Quade @salquade

Editor – Lucas Baynes @lucasbaynes Assistant

Editor- Amelia Pieri @ameliapfilms

Colourist – Fergus Rotherham @fergrotherham

Online Artist – Richard Lambert

Colour & Online Assistant – Max Wyld & Christian Misuraca

Music Creative Director: Adrian Sergovich

Sound Designer: Simon Kane

Executive Producer: Katrina Aquilia

Media agency: Hearts and Science Group

Business Director: Blake Power

Account Director: Oliver Woodrow

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