The Walkley Foundation gives $134,000 to 11 public interest journalism projects

Chris Pash
By Chris Pash | 8 July 2020
Getty

The Walkley Foundation has announce the 2020 grants for public interest journalism with $134,000 shared by 11 projects. 

The grants program supports Australian journalists to produce significant journalism in any medium.

The judges have been rigorous in selecting projects on the basis of originality, public interest, value and impact. These are stories that will surprise, educate and make a difference.

In this round, the emphasis was on applications that were supported by co-publishing arrangements.

The projects:

1. Walkley Grants for Freelance Journalism on Regional Australia
Grants totalling $89,000 awarded to seven freelance journalists.

• Patrick Abboud and Simon Cunich, “The Greatest Menace”
• Bob Burton, “Who pays the piper?”
• Nina Funnell, “Shadow Pandemic: Sexual assault and domestic violence in regional Australia during COVID-19”
• Jessica Malcolm, “Bee brokerage”
• Emma Masters, “Listen and Learn: A report card from the bush”
• Kim Nguyen, “Conversations with coal miners about climate change”
• Dale Webster, “Sitting Ducks: Post offices left carrying cash can after banks pull out of regional Australia”

2. Sean Dorney Grant for Pacific Journalism

Jo Chandler, “Degrees of Change: The fight for climate justice in the Pacific”
The judges were impressed by Jo Chandler’s proposal to examine the pressing issue of climate change in the Pacific. They were taken with her idea to bring us not a narrative of passive and powerless victims, but instead one of how individuals and communities are adapting to this dangerous and dynamic new state, and to ask what tools and resources they are working with to adjust, with a particular focus on the burden on women.

Nic Maclellan, “France and Pacific self-determination during the COVID crisis"
The judges were excited by Nic Maclellan's proposal to examine the dynamic relationships between Australia, France and the Pacific in the context of anxiety about growing Chinese influence. His proposal to focus on the perspectives of the Kanak and Maohi peoples – including strong independence movements – in an environment where Australia is increasingly working in partnership with France raises a fascinating set of issues which will play out as New Caledonia heads towards another self-determination referendum and the region recovers from COVID-19.

3. Judith Neilson Institute Freelance Grant for Asian Journalism

Grants worth a total of $25,000 have been awarded to three freelance journalists.

• Aarti Betigeri, “Lucky You: A podcast exploring the perils of intercountry adoption”
The judges said Aarti Betigeri's pitch for a podcast series on the inter-country adoption of children into Australia from Korea and elsewhere in Asia promises a revelatory look at a practice that was commonplace for decades. The telling of this story is essential not only for those directly affected and their families, but for policymakers considering this complex issue. The decision to fund the project was a vote of confidence for both the depth of the idea and Aarti Betigeri's proven ability to deliver meaningful journalism in an Asian context.

• Mell Chun, “Podcast: Tasmania’s Chinese history”
The judges were excited by Mell Chun’s plan to tell the story of the long and rich history of Chinese settlers in Tasmania via her podcast. She will explore the Chinese influence on Tasmania’s culture and economy and illuminate forgotten or little known facts about the impact of Chinese settlement. Mell writes, "We often view people of colour as 'newcomers', but learning about the history of immigration helps us to understand that Australia's heritage is not so white as we might imagine." This is a timely project, in the judges’ view, and will provide an insight into underexplored community history in Tasmania's rural and regional areas.

• Nicole Curby, “The Wait”
The judges said The Wait podcast, co-hosted by Nicole Curby and Mozhgan Moarefizadeh with supervising producer Michael Green, explores one of the most damaging but untold ramifications of Australia’s asylum policies - refugees stuck in Indonesia. Drawing on Mozhgan’s personal experience as a refugee caught in transit for seven years, they provide context to Australia’s often simplistic immigration debate. Together they unpack difficult issues around border protection and national identity, and raise questions about the political rhetoric of immigration, the nature of protection, and where borders lie.

 

 

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